Fantasies and refractions of the east, subversive orientalism, and the improbability that anyone will ever know who is enjoying the shadow of whom.
By Benjamin Wildenhaus
(Music examples to accompany the Master's thesis of the same name filed at The Graduate Center - City University of New York, 2011)
Example 13
"Mount Harissa," Duke Ellington Orchestra, Far East Suite (1967), beginning section.
